ShrOomOgrOphY

In the Spring of 1993, a group of musicians from Cleveland, OH came
together to form a side project called Mushroomhead. The intention was to
create an eclectic blend of extreme music combined with a vaudevillian stage
show that was bound to provoke a reaction, turn some heads and leave an
impression. From their first concert together in the fall of that year, it
was obvious that Mushroomhead would become far more than a side project. It
was to become undisputedly, Cleveland's top drawing band.

Blending sonics and attitude borrowed from metal, techno/industrial and rap,
they managed to attract a varied and demographically diverse crowd with their
thundering tribal drums digging a heavy groove, with big, snarling guitars
and keyboards filling in all the cracks with dramatic swells of sound. Taking
a cacophony of music, vocals and samples, Mushroomhead shapes it into
memorable tunes that are at once sharply satirical, broadly tongue in cheek,
and infinitely different. Described by the Cleveland Plain Dealer as
"sophisticated, juxtaposing dense, staccato, Ministry-inspired tempos with
spacious melodic passages and dark lyrics that don't merely rely on repeated
swear words," their music stands on its own, but to fully appreciate
Mushroomhead, they have to be experienced live.

Combining outrageous costuming with the psychotic, exotic, neurotic and
erotic, their shocking stage spectacle which always ends with a rave set,
lives up to the music. Pushing the limits of rock theater to the max - their
live show is truly an event and a multi-sensoral experience. What gives the
band more substance and lasting appeal however, is their musical range.
"Everybody fights for what they want in a song," says Skinny, Mushroomhead
founder "and pretty much everyone gets their way - that's our strength. A
song will start out sounding like metal until a cool piano part comes in or
the turntables turn it into a rap song. We all bring our own tastes to the
mix which gives the music diversity." Alternately, it is in the costumed
chaos of their writhing live performances that the band members seem most
alike and united. "When you step on stage in front of people, you know
they're there for the release. Its what we are there for as well and we try
to give our fans everything they came for and then some," adds frontman J
Mann. It is these elements of risky and often risqu in both their music and
performance that have given Mushroomhead , a name, a reputation and a
massive, rock solid fanbase throughout the upper Midwest.

They have performed with Marilyn Manson, Type O Negative, Misfits,
Anthrax, Down, Gwar, Genitorturers, and although they are nothing like
them. They headlined the 1997, 1998, 1999 and 2000 Cleveland World Series of
Metal, having national bands such as Drain STH, Crowbar, Overkill, Six Feet
Under, Pissing Razors, Nile, and many others open up for them. They have
grown into a regional phenomenon, easily and consistently selling out
shows with up to 2500 capacity, a feat many national acts with major
record-label backing and big publicity machines often can not duplicate.

XX, Mushroomhead's national debut on Universal Records,

is an offering which combines the best of their independent releases in remixed

form, as well as a brand new cover of Pink Floyd's Empty Spaces.

Diverse yet cohesive selections from their self titled local debut (1995),

Superbuick (1996), and M3 (1999), showcase the band's musical breadth as it slips

from techno to the brink of industrial metal delivering songs, complete with verses, hooks
and choruses. From the band's creative use of spoken word samples on "Episode
29" to the track "Bwomp," which throws it all down, careening from an
industrial-meets-hardcore opening through rap, ambient, dub and techno
sections in a breathtaking roller coaster ride, XX lets the music speak for
itself.

Rocking the subconscious, they are a universe onto itself. No doubt,
Mushroomhead didn't become Cleveland's biggest draw by worrying about
offending anyone.


				*MuShrOomheaD AddiCtiOn* *ShrOomOgrOphY*



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		MuShrOomhead In the Spring of 1993, a group of musicians from Cleveland, OH came together to form a side project called Mushroomhead. The intention was to create an eclectic blend of extreme music combined with a vaudevillian stage show that was bound to provoke a reaction, turn some heads and leave an impression. From their first concert together in the fall of that year, it was obvious that Mushroomhead would become far more than a side project. It was to become undisputedly, Cleveland's top drawing band. Blending sonics and attitude borrowed from metal, techno/industrial and rap, they managed to attract a varied and demographically diverse crowd with their thundering tribal drums digging a heavy groove, with big, snarling guitars and keyboards filling in all the cracks with dramatic swells of sound. Taking a cacophony of music, vocals and samples, Mushroomhead shapes it into memorable tunes that are at once sharply satirical, broadly tongue in cheek, and infinitely different. Described by the Cleveland Plain Dealer as "sophisticated, juxtaposing dense, staccato, Ministry-inspired tempos with spacious melodic passages and dark lyrics that don't merely rely on repeated swear words," their music stands on its own, but to fully appreciate Mushroomhead, they have to be experienced live. Combining outrageous costuming with the psychotic, exotic, neurotic and erotic, their shocking stage spectacle which always ends with a rave set, lives up to the music. Pushing the limits of rock theater to the max - their live show is truly an event and a multi-sensoral experience. What gives the band more substance and lasting appeal however, is their musical range. "Everybody fights for what they want in a song," says Skinny, Mushroomhead founder "and pretty much everyone gets their way - that's our strength. A song will start out sounding like metal until a cool piano part comes in or the turntables turn it into a rap song. We all bring our own tastes to the mix which gives the music diversity." Alternately, it is in the costumed chaos of their writhing live performances that the band members seem most alike and united. "When you step on stage in front of people, you know they're there for the release. Its what we are there for as well and we try to give our fans everything they came for and then some," adds frontman J Mann. It is these elements of risky and often risqu in both their music and performance that have given Mushroomhead , a name, a reputation and a massive, rock solid fanbase throughout the upper Midwest. They have performed with Marilyn Manson, Type O Negative, Misfits, Anthrax, Down, Gwar, Genitorturers, and although they are nothing like them. They headlined the 1997, 1998, 1999 and 2000 Cleveland World Series of Metal, having national bands such as Drain STH, Crowbar, Overkill, Six Feet Under, Pissing Razors, Nile, and many others open up for them. They have grown into a regional phenomenon, easily and consistently selling out shows with up to 2500 capacity, a feat many national acts with major record-label backing and big publicity machines often can not duplicate. XX, Mushroomhead's national debut on Universal Records, is an offering which combines the best of their independent releases in remixed form, as well as a brand new cover of Pink Floyd's Empty Spaces. Diverse yet cohesive selections from their self titled local debut (1995), Superbuick (1996), and M3 (1999), showcase the band's musical breadth as it slips from techno to the brink of industrial metal delivering songs, complete with verses, hooks and choruses. From the band's creative use of spoken word samples on "Episode 29" to the track "Bwomp," which throws it all down, careening from an industrial-meets-hardcore opening through rap, ambient, dub and techno sections in a breathtaking roller coaster ride, XX lets the music speak for itself. Rocking the subconscious, they are a universe onto itself. No doubt, Mushroomhead didn't become Cleveland's biggest draw by worrying about offending anyone.